Poitier's charecter quickly realizes that the best thing he can do is get these kids ready for the real world. He junks the syllabus and creates his own plan for these people to meet life with something like survival skills. Instead of maths, science and english, he teaches the world of cooking, politeness and proper grooming. These latter skills will help these kids far more than being able to diagram a sentence.

I first saw this film when it first came out. I think I had a better appreication of it, as an American, becuase I had jsut returned from living in the UK and attending a secondary school, which while not like North Quay, did introduce me to some of the characters portrayed. Guys I knew were facing school leaving with prospects of working as a green grocer's assistant or a boy soldier or seaman in the Forces. So on an intellectual level, I certainly understood what Poitier's character faced. These weren't juvenile delinquents but a real segment of British society that probably still exists today.

This film has just as much validity today as it did when it was first released. The cast is excellent from Poitier down to the kid with no lines but filling a desk. I found this to be a fine film at the time I first saw it and today when I saw it again after a period of several years between viewings. I recommend it to everyone who enjoys British films.

48 of 49 found the following review helpful:

Flawlessly wonderful  Jul 24, 2000
By Stan Vernooy
This is my all-time favorite movie. The story is of a Black engineer, born in British Guyana and educated in California, who takes a job teaching at a high school in a depressed area of London. He has no teaching experience, and so develops his teaching style from his own experience. Gradually the relationship between the teacher (Poitier) and his students evolves from suspicion, to respect, to love. There is the obligatory romantic attraction between Poitier and one of his students, Judy Geeson. (Geeson, who plays this part with endearing and convincing sweetness, grew up to become the supercilious and insufferable across-the-hall neighbor from Paul Reiser and Helen Hunt in the TV sitcom "Mad About You").

Everything is perfect in this movie. If you can watch the very last scene without tears, then you are stronger than I. In retrospect, I think this movie was one of the influences which caused me to become a teacher, 17 years after I first saw it. I hope it has done the same for some others, and that it will continue to do so in the future. See it!

50 of 52 found the following review helpful:

Poitier Is Masterful  Feb 21, 2001
By Thomas Magnum
1967 was an incredible year for Sidney Poitier. He starred in three magnificent films, the Academy Award winning films, In The Heat Of the Night & Guess Who's Coming To Dinner and this superb movie. Mr. Poitier stars as Mark Thackery who is an engineer, but in need of a job accepts a teaching position at a tough West End school. His class is made up of unruly ruffians and at first they rebel against him. It becomes obvious to Thackery that these kids don't have an interest in learning normal academics and that none of them will pursue higher education so he decides to prepare them for live by giving them lessons on how to cope in the real world. He gives cooking lessons, make up lessons for the girls, takes them to museums and they develop a respect and love for each other. Judy Geeson is fabulous as Pamela Dare, a blond beauty who develops a crush on Thackery. Christian Roberts is Devin the leader of the group. He is a thug not use to rules and is constantly testing Thackery. Lulu is Babs Pegg and she does a credible acting job and supplies the film with its famous theme song. Michael Des Barres has a minor part as one of the students and he would go on to minor rock career and marry one of the most famous of all rock groupies Pamela Des Barres. Mr. Poitier is the glue that holds the film together and he is equally forceful and compassionate in his performance. To sir With Love is dated in some ways with regards to the fashions and slang language, but it's story is timeless

23 of 24 found the following review helpful:

Powerful, sentimental, wonderfully done  Jun 04, 2005
By Roger J. Buffington
Somehow I just missed this one when it came out during my youth. I recently caught it on Satellite and immediately ordered the DVD. This is a wonderful, powerful film featuring a fabulous performance by Sidney Portier. I have caught Portier in a few other films, and he was excellent in all of them, but his performance in this film is quite simply magnificent. His class, intense intelligence, and talent all shine through in this moving story of a teacher who touches a classroom full of lower-class Brits and leaves them the better for it.

The storyline is well-known, so I shan't dwell on it in this review. Who among us has not had the good fortune of encountering, in our young years, a particularly gifted teacher who perhaps sets us on the right course despite ourselves? That is what this story is about. Portier (playing Mr. Thackary, to be addressed as "Sir!") is assigned to teach a tough classroom of young working class Brits, who are about to graduate and enter the workforce. The pupils are poorly educated and thuggish. Thackary quickly realizes that their real problem is that they lack a moral and social compass, or any appreciation of the value of an education. He confronts the class, and inspires most of them to steer a more proper course in life. This is a fine story of teenage angst, growing up, and the important role that a gifted teacher can play in a young life. An underlying and inspiring theme, of course, is the fact that Portier plays a black man immersed in a nearly completely white school at a time when Western society had a long way to go as regards racial equality. He encounters prejudice, but transcends it by his talent, intelligence, and force of personality. Eventually the class comes to fully appreciate the extraordinary nature of their teacher. Similarly, Mr. Thackary, who originally had accepted the teaching post while searching for a job as an engineer, comes to know that his true calling and talent is teaching. It does not matter how hard-boiled the viewer, no one can fail to be touched by the ending of this superb film.

This is a stylish flick set more or less in the Beatles age of the 1960s. The British nature of the film, the British setting, etc. has a special fascination to the American viewer, and of course when this film was released, the British pop "invasion" was in full swing. This, combined with Portier's incomparable performance, the solid storyline of this film, and really good acting by an appealing British cast, made this low-budget film a smash hit. Of course, the theme song "To Sir With Love" by Lulu is a sentimental and touching component of the film, which became a top rock tune in the States.

I purchased my DVD in May 2005. Some reviewers apparently received copies that erroneously had a Japanese monster movie on Side B. My copy did not have this error, so the publisher has evidently corrected the problem. The sound and colors on my copy are excellent; the remastering was well-done

Too many films are rated 5 stars here on Amazon, but this is one for sure. One indicator of a truly fine film is how it stands the test of time, and whether the viewer returns to it repeatedly. This film passes these tests with flying colors (or should I say "colours"?).





10 of 10 found the following review helpful:

"To Sir With Love" Just One of Many Superb Sidney Films!  Oct 01, 2000
By talkytina "talkytina"
Once again, Sidney Poitier transcends racial stereotypes, and provides us an important lesson in life. This time, he emerges as simply a good man who earns the love and respect of his students. 1967 was a memorable year for Poitier who starred in three, countem' three, box office hits. Perhaps the most penetrating line ever uttered in Poitier's distinguished career was in the same year: "They call me Mr. Tibbs!", he said, with a flare that is still haunting. "To Sir With Love" provides this truly sophisticated actor a much different setting to showcase his wisdom. Here, Poitier displays his natual gift for teaching as he politely but firmly tames a classroom full of London's most obnoxious bongholes. The situation intensifies when the quietly determined, novice school teacher insists that the potential hoodlums (who he is trying to rescue from the difficulties of being teenagers) change their self destructive behavior. Things get worse before they get better, and a powerful drama (and some fine acting) unfolds in the process. Audiences in 1967 gasped when Poitier showed up with his fiance at the dinner table of Katharine Hepburn and Spencer Tracy. Likewise, "To Sir With Love" audiences exhaled a collective sigh of relief when Poitier put aside his romantic interest in a favorite fair skinned pupil. Many of today's audiences are not enthusiastic about inter-racial dating and marriages either, but content of character (in such awkward situations) is certainly more of an overall consideration. Poitier's influence on American culture and its expanded capacity for tolerance cannot be underestimated. His presence on the big screen was the first time many people had experienced an Afro American who so modestly but effectively demanded treatment with dignity. Poitier has excellent command of the English language, and speaks his mind freely and fluently. It's a far cry from the typically demeaning and distasteful screen images of today, especially those with predominantly black casts. Afro Americans are often portrayed as deceitful, immoral, foul mouthed hoodlums who practically deserve whatever punk fate they get. If this trend is to be reversed, the very actors whose livlihoods are at stake must refuse to represent the Afro American community in this manner. Speaking the English language intelligently and tossing the expletive rap are big first steps!

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