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Ludwig van Beethoven: Symphonies Nos. 1 & 2 - The Academy of Ancient Music / Christopher Hogwood

Ludwig van Beethoven: Symphonies Nos. 1 & 2 - The Academy of Ancient Music / Christopher Hogwood
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Ludwig van Beethoven: Symphonies Nos. 1 & 2 - The Academy of Ancient Music / Christopher Hogwood  (Audio CD) 
by Christopher Hogwood

4.0(1 customer reviews)
Condition:  Used
SKU: 

G5-0JVG-RPOX

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List Price: $15.98
Our Price: $12.16
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*Shipping:$4.49
1 used & new available from $12.16
Description:

Made in USA. cd is free of scratches. Hardly used. May be some handling wear to the cd case.

Product Details:
Audio CD Release Date: October 25, 1990
Studio: Polygram Records
Orchestra: Ludwig van Beethoven
Number Of Discs: 1
Average Customer Rating: based on 1 reviews
Track Listing:
1. Symphony No. 1 in C major, Op. 21: Adagio molto - Allegro con brio
2. Symphony No. 1 in C major, Op. 21: Andante cantabile con moto
3. Symphony No. 1 in C major, Op. 21: Menuetto, Allegro molto e vivace
4. Symphony No. 1 in C major, Op. 21: Finale, Adagio - Allegro molto e vivace
5. Symphony No. 2 in D major, Op. 36: Adagio molto / Allegro con brio
6. Symphony No. 2 in D major, Op. 36: Larghetto
7. Symphony No. 2 in D major, Op. 36: Scherzo, Allegro
8. Symphony No. 2 in D major, Op. 36: Allegro molto
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Customer Reviews:
Average Customer Review:4.0 ( 1 customer reviews )
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Most Helpful Customer Reviews

4Crisp, refreshing period instrument Beethoven  Oct 14, 2011
By G.C.
Christopher Hogwood and Roger Norrington conducted roughly parallel recorded Beethoven symphony cycles with their respective period instrument orchestras (which actually had many of the same players between them), in the commercial recording heyday for those ensembles in the 1980s. Hogwood's began truly at the beginning, with Beethoven 1 and 2. 20+ years on, these performances remain very crisp and refreshing, even if the HIP ideas of smaller orchestras and faster tempi have generally caught on more in contemporary Beethoven orchestral performances. Factoring in the relatively brisk tempi, the performances are quite "straight" and unmannered, leaving the past era of Furtwangler-like free phrasing well behind. This recording is still worth hearing now.

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